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Different Representations of Love in the Works of William Shakespeare
JANDAČOVÁ, Petra
This diploma thesis is concerned with different representations of the theme of love in William Shakespeare's works. The first part of the thesis deals with Shakespeare's biography and it points out the author's most prominent career and literary accomplishments in order to establish a context and time frame of his poetic and dramatic works. Consequently, there are explored different ways how the theme of love was approached throughout various historical and literary eras with particular attention to the development of English literature and the evolution of love poetry. In the main part of the theses, there are explored different ways how Shakespeare portrayed and understood the nature of love in his literary works. The concept of love in Shakespeare's repertoire is analysed with regard to the genres of his poetic works, namely narrative poems and sonnets, and his plays, specifically comedies, tragedies, and romances. For each of the genres there are chosen several individual plays or poems, which are then interpreted in connection to how they portray and relate to the theme of love.
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Chivalry in Chaucer's "Canterbury Tales"
Malá Štěpánková, Jana ; Znojemská, Helena (advisor) ; Čermák, Jan (referee)
1 Thesis abstract The thesis is concerned with the reflection of chivalry and chivalric culture in Chaucer's Canterbury Tales and with the relation of his testimony to the social reality of the late Middle Ages. Chapter 1 introduces the chosen topic in relation to the specific character of the Tales, of the context of the period, and of Chaucer's life. It specifies the aim of the thesis, deals with its limitations, and outlines the criteria and the structure of the analysis. Chapter 2 presents the origin and the development of the knight along with the formation of the code of chivalric virtues and the literary constituent of the phenomenon of chivalry until the end of the fourteenth century and identifies two fundamental chivalric archetypes in the characters of the Knight and the Squire from "The Prologue". Chapter 3 pursues manifestations of chivalry throughout the Tales across genres except romances and analyses their reflection with respect to the narrators of the tales. The analysis first focuses on the chivalrousness of the knightly characters (The Franklin's Tale, The Physician's Tale, The Manciple's Tale, The Monk's Tale, The Clerk's Tale, The Man of Law's Tale, The Merchant's Tale) and then on the signs of the influence of chivalric virtues and culture on the non-knightly characters (The Miller's...
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Reception analysis of the Fifty Shades trilogy and a film adaptation of its first part
Jirková, Beáta ; Krobová, Tereza (advisor) ; Reifová, Irena (referee)
The aim of this thesis was to analyse the reception of the Fifty Shades book trilogy and a film adaptation of its first part from the perspective of a female audience - both women who like the books and/or the film and women who do not like them. The thesis sought to describe the fundamental ways of the reception of the Fifty Shades phenomenon and to connect them to media and public discourse about the trilogy. The research questions were particularly focused on women's motivations to reading the books and/or watching the film, their approach to and evaluation of the trilogy. A part of the thesis was also a comparison of the two groups of female readers and viewers regarding the questions mentioned above and a connection of those questions with media and public discourse about Fifty Shades. During the conducted research 13 individual semistructured interviews with female readers and viewers of Fifty Shades have been done. The gained data were analysed by using the grounded theory method (particularly in vivo coding and axial coding). The outcome of the analysis is a description of two different ways of reception and interpretation of Fifty Shades which show persisting ambiguity of romantic fictions for women. The analysis also revealed an impact of media and public discourse about the trilogy on...
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Chivalry in Chaucer's "Canterbury Tales"
Malá Štěpánková, Jana ; Znojemská, Helena (advisor) ; Čermák, Jan (referee)
1 Thesis abstract The thesis is concerned with the reflection of chivalry and chivalric culture in Chaucer's Canterbury Tales and with the relation of his testimony to the social reality of the late Middle Ages. Chapter 1 introduces the chosen topic in relation to the specific character of the Tales, of the context of the period, and of Chaucer's life. It specifies the aim of the thesis, deals with its limitations, and outlines the criteria and the structure of the analysis. Chapter 2 presents the origin and the development of the knight along with the formation of the code of chivalric virtues and the literary constituent of the phenomenon of chivalry until the end of the fourteenth century and identifies two fundamental chivalric archetypes in the characters of the Knight and the Squire from "The Prologue". Chapter 3 pursues manifestations of chivalry throughout the Tales across genres except romances and analyses their reflection with respect to the narrators of the tales. The analysis first focuses on the chivalrousness of the knightly characters (The Franklin's Tale, The Physician's Tale, The Manciple's Tale, The Monk's Tale, The Clerk's Tale, The Man of Law's Tale, The Merchant's Tale) and then on the signs of the influence of chivalric virtues and culture on the non-knightly characters (The Miller's...
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The Elements of Medieval Romance in C.S.Lewis´s Chronicles of Narnia
JÁNA, Martin
This thesis deals with the interpretation of Lewis' fantasy stories for children. The main attention is dedicated to the influence of the medieval romance and its crucial theme: the hero´s journey and adventure associated with the search for the source of life. The first chapters concentrate on the life experience of the author (the importance of literature and religion) and the general characteristics of romance as a genre. The main part of this thesis concentrates on the literary analysis, which includes the links between the traditional elements of romance and the elements of religious allegory (the themes of death and rebirth, emptiness and imagination, good and evil, man and God).
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